Charles Williams is entering the hip hop community on a mission. Bringing his Delaware vibes and serving it with inspiration from Master P, Nas & Jay-Z, the Wilmington rapper is ready to use his platform to change society for the better. About a year ago, Williams discovered his love for making music, from that moment on – he knew where his heart truly was. And so, he built a studio in the basement of his friend’s house and started creating the foundation to his music career right then and there. Charles Williams became Chuck Chill. 

Chuck Chill comesin to the spotlight with a new powerful single titled Black with an even more powerful visual to accommodate the message. The music video captures your attention as soon as it plays, with the beat dropping a couple seconds later, it lures you into the scenario. You can see Chuck Chill is minding his own business when 5-0 pulls up on him to start trouble. His lyrics flow so effortlessly with each scene as he raps about inequality and social injustice. He’s shown battling a crooked cop who’s every intention is to make his life a living hell. With this song alone, he’s making it clear what he stands for by becoming the voice of his city and he promises, he won’t let his generation down. 

Follow him on Twitter at @chuckchill5




The musical range of genre-bending duo, Nilla Spice, certainly shines through on their newest smash, “Power Up”. Consisting of personas Cad Hollyhood and Tru Tyte, the record is inspired by both Hip-Hop and Electronic music. Unquestionably, there is a trap groove in the track; highlighted by its use of rolling hihats, dribbling kicks, and flavorful 808 claps. The Electronic element is derived from the power in their synths, which blossom irrefutably with color. At fifty seconds there is an awesomely synth-tinged breakdown, where the colors of EDM are vibrant. Soon, however, the energetic rapping of Nilla Spice commences, and you are reintroduced to his diverse flow. From rapid-fire spitting, to powerful chants of the hook, Nilla Spice showcases an undeniable talent for rapping. One that, combined with the track’s production, makes for a wide-reaching banger. 



Whatever crowd Nilla Splice preforms their new single, “Hate On”, for is in for an exhilarating night. They will be possessed by the voluminous rapping; and spurred to rage at their hearts’ content. That is a testament to the power that this Tampa Bay record wields; not only through its magnificent, vocal energy, but likewise its brain-throttling instrumental. To say the least, “Hate On” is musically sophisticated. It is an edgy mesh of various genres; all fusing together to create this radical, unchartered sound. The bounce is undeniably Hip-Hop; yet, the mess of synths buzzing in the foreground are distinctively native to electronic music. Around 25 seconds into the record, a funky, analog bassline slips into the mix, and the entire atmosphere is shifted. The duo allows the joint to breathe during this section, yet eventually, he crashes back into the track; as riotous and rebellious as before. Nilla is enveloped by powerful, wailing guitars during the chorus, where he chants melodiously “Hate On”. It is the model climax to the record; and if ever performed for that aforementioned crowd, will send each person into a craze. It is records like these which carve their own space into the realm of Hip-Hop; and solidify the careers of genre-bending artists. Nilla Splice and his recent banger, “Hate On”, are at the forefront of that promise.


Recent Interview: http://tobtr.com/s/11090453


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There are entertainers and there are rappers. Staying true to the hip hop culture, Rell Ca$h emerges from Milwaukee, WI at an early age to fight for his dreams of becoming a voice for the youth through his music. Heavily influenced by Meek Mill, Joe Budden and Jadakiss, the Wisconsin artist embraces the sounds of classic rappers such as Tupac, Biggie and Jay-Z. By studying the greats, Ca$h developed freestyling and song writing skills that set him apart from the mediocre lyricists. He’s made it known through his verses that music is more than just a hobby to him, it’s a mission. The more he puts his energy into perfecting his craft, the more he falls in love with the genre and vowed to use his platform to make a positive difference. 

He hops on a jazzy, sultry rhythm as he introduces his new music video WHATUCALLTHAT. He’s spitting truth with every line, telling his story from his downfall to his bounce back. The visuals portray him from different angles while he continues narrating his struggles and triumphs as he kicks it with his clique. He’s seen isolated in a spiral staircase, emphasizing the message that success isn’t just a straight and narrow path. The video was just released last week, November 22 and it's already racked up 4K views. Rell has a strong fanbase consisting of over 7K and constantly growing as they follow his musical evolution. 

"WHATUCALLTHAT" Music Video

Social Media:
Instagram:@RELLCASHMUSIC
Twitter: @RELLCASHMUSIC



 Dripping in Atlanta-seasoned, Birmingham-flavored sauce, is burgeoning rapper, Juney. Toting nothing more than a couple freestyles, and list of effortless bangers, the Alabama native gives us “Lil Juney”; an opus for the streets of the South. Juney shows no mercy on this eight-track EP, unleashing lyric after lyric, and melody after melody, with zero clemency towards the competition. Although, he is joined by a phenomenal cast of features (RL Reno, BallOut, and LilOne), his raw, street rapping, partnered with a fantastic wield of autotune, clearly pinpoint Juney as the star of the show. Glints in the music are undoubtedly Atlantan, however, the bounce of the project is as Birmingham as it gets. The fusion is a recipe for consecutive, modern-trap hits; and that’s exactly what “Lil Juney” consists of. In the span of eight-tracks, Juney flawlessly represented his two hometowns, and put himself in the mix of climbing Southern artists. The hand of “Lil Juney” is destined to emerge from the underground and grip the streets, with nothing getting in its way.



"Lil Juney" 
[Full Mixtape on SpinRilla]





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There’s just something about an old school beat with captivating lyrics that makes its mark in the hip hop game. If true lyricism is what you’re looking for, you need to turn your attention to Patrick Barnett who goes by the name P.A.T – Poetic & Talented. The Texas rapper was born in Bitburg, Germany who later moved to Fort Worth after his father retired from the Air Force. Releasing his single Getting Over You once you hear it, you won’t forget it. It illuminates emotion as he confesses his need and love for music, emphasizing its meaning in his life. It’s not just a hobby to him, it’s a passion and if his music falls on deaf ears, he won’t be able to get over it. This isn't for the dumbed down, this is for the true hip hop heads. It’s a mission for him to save the world, one song at a time. From what fans hear, they’re certain he’s on his way to greatness. 

Music Links:
Spotify
iTunes

Social Media:
Instagram: @patb817
Twitter: @mental_floss817
Facebook: @goat918
www.urpat.net

Add some flare to your week with this new, resounding trap smash, “Challenger”. Coming courtesy of rapper, Daniel Jackson, “Challenger” is two minutes and ten seconds of apocalyptic, modern-trap production, coupled with a fiery flow to ride it. Here, Daniel Jackson flexes an astounding affinity for song-writing; penning, and delivering a record that is nothing short of an anthem. Each bar lands perfectly along the gallop of booming 808s; highlighting Daniel’s well-timed flow and admirable vocal control. As an added bonus to this heavyweight banger, the emcee likewise gives us a visual. In perfect parallel to the ominous sonics of the record is a paradisal music video; featuring Daniel rapping in the center of the shot, from the hood of a glimmering white vehicle. He is as poised as his delivery and flow; solidifying in two minutes alone that there can be no “Challenger” to his imminent rap rise.


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In a gorgeous collaboration of heavenly, puritan Hip-Hop, Virginia rapper, Kevin Calhoun, accompanied by the seraphic vocals of Breanna Martin, deliver unto us “For The World”. The record is a four minute thanks to God for blessing our DMV emcee with the basic essence of life. As he mentions through sharp, thought-provoking bars, Kevin Calhoun does not have the ideal life. Poverty, and myriad other tribulations have chipped away at the rapper, day in and day out. Yet, what he stresses over this soulful chord progression, and jogging Golden Era drums, is that the bare luxuries of life are enough to be grateful for. Family, music, and the simple ability to breathe, that we all take for granted, these are the elements that make the struggles of life tolerable. They complete him; and for that, Kevin would not change them “For The World”. This record is radiating with wisdom and maturity. A message I am certain this talented writer wants each and every listener to internalize and value. He delivers it flawlessly; and Breanna Martin’s silky, R&B hook is the ribbon on top. Thanksgiving may be over, but it’s never too late to rejoice in all the things you’re thankful for. Do so beautifully, with Kevin Calhoun’s “For The World”.


“FOR THE WORLD” on Soundcloud


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Fresh off the heels of a stellar homage to Golden Era rap, Kevin Calhoun returns with another dynamite track; and this time, he’s bringing a little bounce along. Empowered by the luscious, R&B presence of Drizzle Gwala, the DC emcee gifts us with an ode to blooming love on the radio-ready “Shoot Your Shot”. Certainly, this three minute and thirty-seven second record has all the necessary ingredients for a commercial hit. There is an addictive, 808-driven instrumental, satisfied by trap snares and a narcotic, kick rhythm. However, if you are looking for a mindless single, this track is not for you. Despite how radio-friendly this smooth, R&B-Hop track sounds, Kevin Calhoun will never leave us short of thought-bending rhymes. He is at the pinnacle of his penmanship on “Shoot Your Shot”, putting lyricism at the forefront of his masterpiece. Just as pure, Hip-Hop should be. This creative formula Kevin Calhoun has contrived is unbelievably bulletproof; and with “Shoot Your Shot”, this talented emcee proves ready to take the mainstream by storm.




“SHOOT YOUR SHOT”

[Stream/Download]




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“Is it only when you know the pot is empty, that it’s gnawing at the corners of your mind?” croons a high-pitched, soulful sample in the beginning of Slick Mick’s lovely October release, “I Gotta Rose For These Hoes”. Once the steady shiver of a tambourine, engulfed by slick, bluesy guitars, has had its fill; a goliath, East Coast drum loop stomps into the mix, completing his puristic instrumental. As gravitating as this beat is, it gives our Sydney spitter room to further captivate us with his calm delivery and lyrical narration. This record, above all else, is aimed at the casual listener; who will press play whenever they yearn for a tranquil hip-hop song to pacify them. Slick Mick, sliding through bars regarding his current state of life and attitude, is not seeking to overwhelm you. No, instead he maneuvers his smooth, Australian accent and endless river of rhymes, to deliver the ideal Saturday night ballad. On the brink of kicking back on the couch to relax? Throw on “I Gotta Rose For These Hoes” and let this excellent offering from Slick Mick massage those corners of your mind. 


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Embedded deeply in the history of Hip Hop is the DJ. Further embedded in the history of DJs, are the few, talented disc-jockeys who likewise rocked the mic. From DJ Hollywood, to DJ Paul, and the iconic DJ Quik, there’s a strong lineage of emcee/DJs rooted in this culture. One that a particular, Maryland creative refuses to disappoint. Surfing on our airwaves, with an impressive tidal of DMV trap music, is Baltimore’s own, DJ Waterzz. After years of DJing, the multi-talented musician is making a return to the art he first loved; giving us a storm of bangers and bars with “Sea - EP”. “Sea - EP” is four tracks of turn-up-worthy trap music; energized by a pack of diverse beats, and DJ Waterzz’s own versatile flows. Seamlessly, the rapper dives from the bubbly, CashMoney AP-produced “Popular”, into the devilish “Uh Huh”. He backstrokes briefly through the rapid-fire track, “Jumped Off”, before arriving on the modern-trap shore of “No Numbers”. This package makes for a concise journey into DJ Waterzz’s abilities as a rapper; showcasing not only his incredible ear for beats, but likewise a knack for destroying them. Ultimately, DJ Waterzz has been reunited with his first love, rapping; and by the end of “Sea - EP” you’ll be dying to see where next their relationship goes.

“SEA” on Spotify




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Pennsylvanian emcee Izzy Strange lets lose his first official project of 2018, the 11 track "Izzy Duz It" mixtape.



Thus far, we'd seen two singles birthed prior to the mixtape. The first single, titled "Just Me", found Izzy alongside 2009 XXL Freshman Blu trading lyrics speaking on self-dependence and the need to continue pushing forward no matter what. Sara Fox also contributed to the track with a powerful burst of soul and the chorus. The second release placed Strange on a haunting Nate Fox production named "Halfway Crooks". Mick Jenkins joined Izzy to speak out against half-assing it through life. 

Production comes from a wide assortment of producers that Izzy came across via YouTube but he does however give us a song each from his go-to beatsmiths, Nate and Casa Nada. Also guest starring on the mixtape are Nacho Picasso and Tedy Andres, who appear on the latter half of the presentation. 

"Izzy Duz It" provides a close look at the multifaceted talent of the artist as he goes from storytelling tales to spitting bars and even playing the singer role on "Something I Said" with supporting vocals from Sara. Along with that angle, Izzy's potent poetical penmanship shines brightly on the mixtape. Top highlights of this statement can be found on tracks like "Even A Broken Clock", "The World Can Wait" and "Robert Johnson".

Since his first single from his sophomore album, "A Good Day 2 B The Bad Guy", Strange has made it a point to provide conceptually fueled content that's plays easy on the ear. Though a Hip Hop artist, the east coaster pulls in heavy influence from genres such as blues and jazz. If you were looking for some type of label to attach to "Izzy Duz It" you could call it "thinking man's music". He's not afraid to expose his faults and it's thru that type of fearlessness that makes the mixtape such an incredible project to digest time and time again.

"Izzy Duz It" is now streaming on Soundcloud and YouTube.




Izzy Strange Online
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Repping Spartanburg, South Carolina, rapper Don Smooth’s recent drop, “21 Savage” is a grand-slam of modern, minimal trap music. For two minutes and eleven seconds, you will be warped into a world of turn-up raps and sparse, yet exhilarating percussion. The drum pattern creates this ideal energy for Don Smooth’s lyrics and flow. Between bars regarding his arsenal, and the Spartanburg street life, the southern rapper smoothly bounces along distorted 808s, hi-hats and claps. The absence of a melody leaves plenty of room for Don Smooth to rap circles around his competition; delivering a swift trap anthem. If the music video is of any comparison; throw this record on at your local party, and it is guaranteed to turn the entire room up a notch. Effortlessly, with this new single, “21 Savage”, Don Smooth has put a spotlight on his Spartanburg home. Only a matter of time before the entire state of South Carolina has a new face of trap.


"21 Savage" 
[Stream/Download]


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“Come” is an almost genre-less amalgamation of emotion, soaring vibrantly from South Korea’s left-field; at the hands of Seoul creative, Sung Eun Choi. If any particular style is detectable on this record, it is the lo-fi prance of classical music melodizing the background. Otherwise, the track is fairly ambiguous; spiced solely by the arbitrary chants of Choi himself. Striking nearer to commentary than anything else, Sung Eun Choi speaks in a blend of Korean and English over the colorful backdrop. He is passionate, yet confined; allowing his voice to drift easily over the instrumental, all the while wearing his heart on the sleeve of his words. Unquestionably, this Korean artist is devoted to pushing the limits of modern music. With “Come” already surprising, who knows what eclectic creation Choi will hit us with next.


“Come” Stream/Download:



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USA Blog Network recently caught up with the highly talented Kai Studios duo, Vernon Hill & Lazy E. We chopped it up about their comeup, their future, and their present. The 5-track collaborative album "They Don't Want Us In The Stu, Vol 1" is among the best projects of 2019. Catch a wave with the album's trippy vibes, new-age harmonies, upper-echelon trap bets and mixing skills! Kenneth Monroe says, "Hill & E have a refreshing chemistry and unique vocal schemes to please any music fan." Be fore-warned, the music is addictive and the team has teased that this is only the beginning. Listen to an insightful behind-the-scenes on #TheDopeness series below and follow Vernon Hill & Lazy E's growing movement today.

[Download/Stream]
"They Don't Want Us In The Stu, Vol 1"




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As much as Hollywood yearns to convince us, through its myriad, mainstream celebrities and entertainment, life is far from utopic. On the contrary, for most of us, it is plagued with darkness, disaster and dire tribulation. No better is this true trio magnified, than on Pennsylvanian rapper, J. Asadi’s, latest project, “Lazarus Experiment”. On this seven-track opus, the New Castle native wears his heart on his sleeve; stitched by haunting, hip-hop production and painful lyricism. Much of the rapper’s subject matter revolves around his personal plights and predicaments. His intro track, “The Invitation” maps his entire life story; one full of abuse, betrayal and suffering. Yet, the magical thing about this artist is his unstoppable willpower. You can see it in the titles of his subsequent tracks (“Never Fall”, “Keep Rollin”, and “Sky Is The Limit”), J. Asadi is not one to fall victim to his struggles. The greater message on this album is, instead of losing yourself to your painful past, use it as fuel for grinding towards a fortunate future. For that’s exactly what this emcee is determined to do. He may have been down and out in the past, but by the slam of trap drums, cataclysmic melody, and strong, lyrical delivery, J. Asadi proves to be Lazarus; resurrected, reborn and renewed, with a commitment to greatness unlike any you’ve heard before. 





“LAZARUS EXPERIMENT” on Spotify 


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