Showing posts with label alternative hiphop. Show all posts
Showing posts with label alternative hiphop. Show all posts

Enter a wave of guitar strings, ominous emo lyrics in the background. Then, the 1st boom of the bass hits. On-the-verge hiphop artist, Adas' newage trap banger "Often" is dazzling in every way! The wavy mood of the beat makes a marriage with his smooth melodic vibe and then with the multi-style rap flows that he 'often' switches effortlessly. "Often" is easily a 2019 fan favorite!!! The Chicago newcomer, wants you to know he has taken the time necessary to perfect his craft while recording 50+ bangers and he is prepping to drop an exclusive song every week. Enjoy "Often" today on soundcloud and follow Adas' growing movement today.




"Often"
[Download /// Stream]



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This is precisely what we have been waiting for. Since Summer Walker’s fiery onset in 2018, ignited by her chart-topping “Girls Need Love” record; the lot of us have waited with bated breaths for someone to offer a rendition. Their own take on the smoldering smash. Now, we may finally have it; lifted from the lungs of the young, North Carolina crooner, Abryon. With an awe-striking command over melody and harmony, this Southern singer aims to remind us that “Girls Need Love Too”. A sultry music video, and autotune-driven remix, are his main means of doing so. As he passes between various scenes with two particular women, the Tarheel vocalist unhinges a bit more of his amorous soul. He confides in them his desire to be anything and everything they could ask for; ultimately giving us everything we could ask for in a Summer Walker remix: pleas full of passion that’ll feel everlasting. 





“Girls Need Love 2” on Youtube
 




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Ghostly. No better a word can describe the melancholic beginning of 4cah’s new record, “Lost”. Upon realizing the inspiration for this song; the reality of that word’s significance towards this track makes it ten-times more faultless. From the slow tap of the rimshot, to the heartbreaking crawl of grand pianos underneath a bone-chilling, soprano chorus; everything is devoted to honoring 4cah’s cousin, Eric, who recently passed away. Certainly, his spirit is coursing through the instrumentation of “Lost”; and when our DMV emcee arrives on the track, that same spirit dynamically possesses him. The rapper begins to detail exactly how recent losses have traumatized him, alongside telling personal stories of his cousin’s afflictions. Every bar comes infused with a passion and emotion that only shared experiences from us, his listeners, can truly unpack. If ever you have been struck by the death of a loved one, “Lost” will wrench those sentiments to the surface. Tears will pool your eyes, flowing as freely as the melody, rap, sung vocals on the record; and you will be irresistibly enthralled by its visceral power. Previous releases showed us that this Maryland rapper is talented; however, “Lost”, is an evolution for 4cah. It puts him on a very small list of artists who can paint perfect pictures of pains we face, day in and day out. That makes 4cah a treasure in the current landscape of Hip-Hop. One that Eric would be inexplicably proud of.
“Lost (Tribute)” on Soundcloud


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 Keyz Vango is on a different level with his alternative R&B visuals "Night". This groove has a extra wavy, eerie, trippy vibe! "Night" is just a taste of the dopeness of Keyz' new project ‘LATE Vol 1’. Peep the press release and fall into the music below!

 Following the release of the single 'NIGHT', the artist/producer Keyz Vango releases his debut EP ‘LATE Vol 1’. Taking his sound in new directions by utilizing dark instrumentation he finds the perfect balance between heartbreak, trap and harmony. This 4-track EP features standout tracks like “Halle”,“SinkLove”, and “Good.”

 "I'm painting a new sound and trying to push the boundaries of R&B, Alternative, Electronic & Hip-Hop fusion. I've always dreamed of being able to mash up all the different genres and sounds I hear in my head and put them into headphones or speakers. This is an introduction to the brand, the sound, and the forever changing wave I'm on and we're all on – life. And life is short af so remember at all times, It's never too "LATE." to wake up your dreams. Don't sleep on them." - Keyz Vango



‘LATE Vol 1’ is available worldwide on all streaming platforms.




"LATE Vol 1" Full EP
[Download/Stream]
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The musical range of genre-bending duo, Nilla Spice, certainly shines through on their newest smash, “Power Up”. Consisting of personas Cad Hollyhood and Tru Tyte, the record is inspired by both Hip-Hop and Electronic music. Unquestionably, there is a trap groove in the track; highlighted by its use of rolling hihats, dribbling kicks, and flavorful 808 claps. The Electronic element is derived from the power in their synths, which blossom irrefutably with color. At fifty seconds there is an awesomely synth-tinged breakdown, where the colors of EDM are vibrant. Soon, however, the energetic rapping of Nilla Spice commences, and you are reintroduced to his diverse flow. From rapid-fire spitting, to powerful chants of the hook, Nilla Spice showcases an undeniable talent for rapping. One that, combined with the track’s production, makes for a wide-reaching banger. 



Whatever crowd Nilla Splice preforms their new single, “Hate On”, for is in for an exhilarating night. They will be possessed by the voluminous rapping; and spurred to rage at their hearts’ content. That is a testament to the power that this Tampa Bay record wields; not only through its magnificent, vocal energy, but likewise its brain-throttling instrumental. To say the least, “Hate On” is musically sophisticated. It is an edgy mesh of various genres; all fusing together to create this radical, unchartered sound. The bounce is undeniably Hip-Hop; yet, the mess of synths buzzing in the foreground are distinctively native to electronic music. Around 25 seconds into the record, a funky, analog bassline slips into the mix, and the entire atmosphere is shifted. The duo allows the joint to breathe during this section, yet eventually, he crashes back into the track; as riotous and rebellious as before. Nilla is enveloped by powerful, wailing guitars during the chorus, where he chants melodiously “Hate On”. It is the model climax to the record; and if ever performed for that aforementioned crowd, will send each person into a craze. It is records like these which carve their own space into the realm of Hip-Hop; and solidify the careers of genre-bending artists. Nilla Splice and his recent banger, “Hate On”, are at the forefront of that promise.


Recent Interview: http://tobtr.com/s/11090453


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 The state of Texas has always maintained a pivotal seat on the altar of Hip Hop. From historical acts such as UGK, Scarface, Trae the Truth and DJ Screw, to the Travis Scotts, Sauce Walkas and Tay-Ks of our modern day, the Lonestar State has remained seething with talent. Today, a new face is appearing amid that throng; and where the previous ones have highlighted cities such as Houston and Dallas, this lyrical newcomer is looking to put a different region on the map. He goes by the name Jgar, and is proudly representing San Marco, Texas (the Tr36ix) through his latest, self-titled EP. “JGAR” comes at you with five, solid tracks of new-age, Southern Hip-Hop. It forgoes the heaviness and darkness of those aforementioned, Texan artists, in exchange for lightness and relaxation. Jgar is not overbearing on this project. His lyricism, delivery, features and beat selection all combine to create this chilled-out, smoldering environment. One thats perfect for your Saturday night, basement rotation. Put simply, “JGAR” is slow-paced, smoke-friendly trap music at its finest; with enough potential to give its creator a buzz across the Tr36ix, and open the Hip-Hop world’s eyes to what San Marco can provide.




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Right now, North Carolina is in a state of emergency. The monstrous Hurricane Florence is whipping towards the Tar Heel State, spurring mass panic and evacuation throughout the eastern south. Despite imminent catastrophe, one man in particular remains tucked in Willmington; comforting his mother, who refuses to flee. That man is rapper/producer, Octobor, and through his interview with USA Blog Network, the Southern artist makes it clear he and his family have zero intentions of leaving. Through his recent release, we come to learn exactly why: North Carolina is his “Thing”, and will remain so until there’s no more North Carolina left. Rolling in at three minutes and thirty-one seconds, “Thing” is an exceptionally lax banger. It rivals the incoming hurricane by being a poised, tranquil breeze of a record. Over the gallop of trap drums, and automated whirl of the track’s ambient background, Octobor smoothly coasts. Absolutely nothing about his flow or delivery comes off forceful. He sounds completely at home in the comfort of speakers and a microphone; which ultimately translates into a gracious trap anthem. “Its a northside thing, southside thing / eastside thing, westside thing—“ he chants effortlessly throughout the chorus, shouting out every region his home state has to offer. Being a beacon for North Carolina in the hour it’s needed most. “Thing” is a relatable smash just waiting to explode across the mainstream. If he continues to push it, showing the world just how much talent he has to offer, every month of the year will be Octobor’s.



 “THING”
[Download/Stream]


Recent Interview: 
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A horror movie-esque piano, complimented by an undulating, sub-bass and pad, opens Michigan artist, BRVDFXRD’s, latest offering, “Swurve”. Just as a distorted 808 makes impact, the Detroit emcee launches into a tirade of bars. “Six feet tall, who?” he questions, surfing a smooth, poised flow across waves of hihats and claps. Adlibs lunge up from the depths of the track, adding newfound, crowd-ready energy to the entire record. Albeit, this Midwest spitter’s release makes the most titanic impression in your car, rocking its speakers; it will go equally as crazy during a packed event. Because BRVDFXRD harbors an amazing command of energy. As subtle as he comes across, tossing bars to and fro along this malevolent, trap production, he still manages to create a raging, contagious banger. Detroit has been blazing hot this summer; and “Swurve” kicks the temperature up even further.



“SWURVE”



Recent Interview - 




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Flowing like the myriad Georgia rivers, is 16-year old rapper, Blessed.Savage; and his recent release, “Frequently”, is soaked in undeniable swagger. It is two-and-a-half minutes of Zaytoven-esque production (completed by milky, gospel organs and vocal chants), layered underneath the raps of a kid fully coming into his own. Because, the track is not reflective of this artist’s age. On the contrary, it is a testament that if he’s dripping over beats like this now, he’ll be making tidal waves in adulthood. His delivery and flow, over this smooth series of snares, claps and 808s, is inexhaustible. He never seems to tire; in fact, he only gains more vigor as his verses lunge onward. By the second verse, our Riverdale representative was whirling with melodic inflection; spitting throughout the song about the impact that rapping has had on his recent years. If Blessed.Savage can push through the hatred, and continue dropping joints just like this, he’ll be “Frequently” seeing dollar signs.
Recent Interview:



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Back in 2006, legendary New York emcee, Nas, declared that Hip-Hop was dead. The insurgence of autotune, melodies, and growing “pop” aesthetic in the music, made this declaration incredibly logical. Even modern day, where the culture is leaning further and further towards a commodity instead of artform; Golden Hip-Hop seems to have lost its place with the turn of the century. That’s what makes rap act, Lockness Carnival’s, recent release “Tickets To The Dope Show” such a blindsided sucker-punch; loud enough to throttle the graveyard, and awaken that Golden Age artistry from its deathly slumber. “Tickets To The Dope Show” is a seven-track resurrection of one of the most celebrated eras of rap; hearkening back to the 90s time period with a beautiful blend of lyricism and old-school production. The only exception to this is the second track, “Urban Litty” which features a more new-age, electronic beat. Everything else follows a strict, satisfying rubric; with which the emcee, Dark Angel, shines impeccably across his producer, Strange’s, instrumentation. Dark Angel has a powerful affinity with imagery and storytelling; and he uses such to paint the most polarizing portraits. There are strong horrorcore themes locked in the stories of “Margo Santana” and “Hector”, yet backed by Strange’s warm, vinyl-singed primeval production, this imagery becomes eerily gorgeous. Another great element of this duo is that they do not solely rely on music to tell their tales. In the middle of the project, there are skits and snippets that fit flawlessly between Angel’s own verses, giving his stories even greater dimensionality. “Tickets To The Dope Show” is an outstanding blast to the past from two amazing creatives. If Hip-Hop is dead, they’ll be of the few to thank for its revival.


 [Download/Stream]
“Tickets To The Dope Show”
https://itunes.apple.com/us/album/tickets-to-the-dope-show/1417721010


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Sometimes you instantly recognize a rarity, sometimes you confuse that rarity with another that you may have heard or seen before. Sidthatsit is a rarity. His music is straight out of house Kanye and Cudi built with a very Rap Noir(if thats not a thing it is now) sound. The Chicago kid gifts 2018 with his new Album bLACK eGG. The project consists of nine incredible tracks. It is a very impressive work of art from top to bottom. The content, production, and arrangement of this project are absolutely on point. bLACK eGG is full of tales of ambition, depression, drug experimentation, and heartache. It is a great fusion of uptempo head banging slappers and dark melodic ballads. Off of the top of my head this album gives me that Kanye West 'My Beautiful Dark Twisted Fantasy' or Travis Scott 'Before the Rodeo' feel. I see a dark(pun intended) career ahead for this future star. Afterall, Sidthatsit is a rarity. As rare as an bLACK eGG.



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America's problems do not end at racism. Sexism, and the blatant degradation of women, is also a demon our people must fight. With that being said, if there is anyone in the underground hip-hop scene making it clear that they will indeed wage this war on behalf of women, it is New York rapper, 8.9.3.7th. Like a sword and shield, he wields rhymes and melodies on his latest single “Not Fair”, and rushes into battle. 

Backed by a sensual, yet powerful trap instrumental, blooming with a beautiful sample of Alicia Keys's 2009 “Un-thinkable (I'm Ready)”, the Queens native dedicates this entire track to ladies of the night. It is an anthem for exotic dancers, bartenders, adult-film actresses, and any other woman whose profession is unjustly frowned upon. “And it's Not Fair--” 8.9.3.7th croons on the chorus on the track, “--how they be judging you, girl / You out here running the world / Taking care of your business”. With those few bars alone, he justifies these women's positions. They are simply doing what they need to to make end's meet; and should be praised, not pejorated, for their ambition and excellence. As much as this track could be played at home, it would truly bump in the club scene; where the women it speaks to can embrace it and be inspired by 8.9.3.7th's recurring reminder “Ballers ball, and Haters hate”.



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