The homie Bizeeee aka 4eZ just dropped off the ultimate trap anthem of the year!!! Get in tune with the Charlottesville/ATL artist's unpredictable delivery and upper-echelon production. Then peep the press release below and follow the growing movement today!

Bizeeee or "4eZ" as he is called, is at it again in the kitchen, after his most recent release of the self entitled project "4eZ". He brings you the first exciting, and energy packed track single, from his album, entitiled "Looking for it", the track itself is a mixture of torched flows and renaissance art with a tad of the greatest seasoning available to the ears.

Biz sounds like no other artist out, and tends to switch his flows depending what the beat tells him, and how he feels at that current mind state. Biz is one of the dopest engineers coming out of Virginia, also a vivid savy photographer with alot of celebrity clients, and credits such as Future, Young Thug, Mike Epps and alot more.

Be looking for the "4eZ" album this winter, we won't ruin the suprise, but the album itself will have a few features from some of industries top current artists. Bizeeee is a artist to be watching all the end of this year and 2019.


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Watch New Video 
“Not For Sale”
A bubbly, tropical marimba, dripping in a fondue of sweetened, afro-trap percussion and chocolatey vocals form the delicacy that is “Wonka”; an introduction to Kenya-born, Los Angeles-based singer, Victoria Kimani’s, sultry masterpiece, “Afropolitan”. In only seven tracks, the Afropop Queen effortlessly weaves a work of ebony excellence. The deep, afrobeat grooves on tracks such as “Should Be”, “My Sweetie”, “Boom”, and “Not For Sale”, paired with their infectious R&B/Pop palettes, paint the portrait of a masterful creative. Most indisputably, Victoria has conquered the art of blending native rhythms with wide-reaching, mainstream melodies. And her voice is the cherry on top. On all of the tracks, she floats dreamfully, suspended in an atmosphere of reverb and harmony, through lyrics of love, lust, and perseverance. With each breath on this project, it is as if the records become more and more contagious. “Afropolitan” is boundless in range and application; being just as ideal for parties, the car and the club, as it is for a night alone. Considering the rising popularity of world music, and this flawless offering from Victoria herself, don’t be surprised if you see her name popping across the Billboards. She can’t be more than months away from international stardom.






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It was in his Tha Carter III hay-day that iconic rapper, Lil Wayne, let us know that he was a “Martian”. Years later, the enigmatic artist, Future, came into being an “Extra-Terrestrial” before our very eyes. Today, there’s a new galactic star emerging in our solar system, and he is determined to make an imprint on the rap game. Having crash landed in Brooklyn, New York, anomalous rapper, Mr. Rey, has just released an even more anomalous work of art. Titled “Mind of Mars”, with only ten tracks, our East Coast alien proves his talents are equally out-of-this-world. His artistry is colorful, yet gritty; concrete, yet melodious; a unique matrimony between new-age aesthetic and golden era energy. Tracks such as “Epic”, “One Shot”, “Lord Knows”, “Judas”, “FTCU” and “TBH” are anthemic ventures into modern trap music; with the others being hefty, lyrical forays. Tucked into the seventh track, likewise, is something of a dancehall tribute; ignited by Mr. Rey’s lyricism and autotuned inflection. That autotuned delivery is precisely what carves the Brooklyn emcee a spot out among his forefathers; granting him not only a celestial sound, but also, just as matchless musicality. There is nothing like “Mind of Mars” out right now. Hang on to this incomparable quality of music, and our extraterrestrial emcee is bound to invade the mainstream sooner rather than later.


“Mind of Mars” on Soundcloud 



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With an eerie opening, DaPrince TTG hops on the beat and starts rapping his catchy hook. He then transitions into his verses as he speaks upon disloyalty and betrayal. He’s seen performing the song on top of a luxury car, made for a king. He’s drippin’ in chains chillin’ with the baddest chicks, showing off his lifestyle. DaPrince flashes his racks of cash as he represents Nashville, Tennessee. He’s clearly In His Bag as he puts on for his city as he makes his buzz in the music industry. His new music video just dropped on YouTube and he’s already raking in 3K views in a short amount of time. Check out DaPrince TTG’s visual to his In His Bag single below. 

YouTube Channel: DaPrince TTG 

Social Media Links: 
Instagram - @DaPrinceTTG 
FaceBook - @DaPrinceTTG
Twitter - @Big_TTG
www.ttgmusik.com

A popping drum loop, seasoned by hihats, lush kicks and a sparkling snap, introduces JRS3’s fresh, new single, “Run”. Eventually, an electronic synth buzzes into the mix, slithering across the percussion with the Fort Wayne rapper’s rhymes in tow. On this record, JRS3 flexes his penchant for metaphors. With his dark, doggish delivery, the Texan is relentless; detailing countless ways by which we should “Run” from his lyrical onslaught. Its sinister, yet experimental; borrowing the attitude of horrorcore for its verses, and energy of heavy rock throughout the chorus. Sharp, riotous guitar chords blaze underneath the hook of this song, making “Run” a cyborg of genres, with JRS3 at its creative helm. Very much so, by the end of the three minute and thirteen second run time, this Southern emcee proves just how comfortably he exists outside the conventions of hip-hop. He is unorthodox and unpredictable; traits that will guarantee him an iconic “Run” in the incredible realm of underground rap.

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 The state of Texas has always maintained a pivotal seat on the altar of Hip Hop. From historical acts such as UGK, Scarface, Trae the Truth and DJ Screw, to the Travis Scotts, Sauce Walkas and Tay-Ks of our modern day, the Lonestar State has remained seething with talent. Today, a new face is appearing amid that throng; and where the previous ones have highlighted cities such as Houston and Dallas, this lyrical newcomer is looking to put a different region on the map. He goes by the name Jgar, and is proudly representing San Marco, Texas (the Tr36ix) through his latest, self-titled EP. “JGAR” comes at you with five, solid tracks of new-age, Southern Hip-Hop. It forgoes the heaviness and darkness of those aforementioned, Texan artists, in exchange for lightness and relaxation. Jgar is not overbearing on this project. His lyricism, delivery, features and beat selection all combine to create this chilled-out, smoldering environment. One thats perfect for your Saturday night, basement rotation. Put simply, “JGAR” is slow-paced, smoke-friendly trap music at its finest; with enough potential to give its creator a buzz across the Tr36ix, and open the Hip-Hop world’s eyes to what San Marco can provide.




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An airy, ethereal string progression, backed by a joyous prance of keys eases you into Chicago artist, Eddie Bars’s, unique, new single. Titled “Hot Head”, this joint is a moving, modern-trap orchestration by BeatsByQuez, which finds Eddie Bars at his most openhearted. Earthshaking, is the 808 which introduces Eddie’s passionate chorus, and drives the energy of the record through its tempest of raw emotion. Our Chitown vocalist uses this joint to chronicle his past and present mentalities. Alternating between a melodic hook and high-energy verses, Eddie Bars details how his once hot-headed persona has simmered into coals of blazing ambition. He has grown immensely; and with each crack of those hard-hitting trap snares, the rapper lets us all know how. Having now refined his mind-state, and refocused his energy on sobriety and success, Eddie Bars is more ready than he’s ever been before. To create awe-striking music, and lead the next tidal wave from the coast of Lake Michigan, into his Chicago home.





"Hot Head" [Download]


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