Henrock debuts his first music video after signing with Cash Grab Entertainment

Henrey Favers, Henrock, is the new kid on the block residing from York, Pennsylvania. From performing on main stages all over the East Coast with acts like Lil’ Baby, Kevin Gates, Yo Gotti, and NBA Youngboy, just to name a few, he now brings musical visuals to your computer and phone screen. “Money on Me” is his first video released under his newly signed recording contract with Cash Grab Entertainment.  
The creative mind behind the “Money On Me” video is Kayso, who also resides from the 717 area. The graphic effects in the video are just a taste of what you will see in the future from both Kayso and Henrock.
Keep in touch with Henrock by following him on Instagram @CGE.Henrock and follow Cash Grab Entertainment on YouTube for all Behind the Scenes videos and Official Music Videos.


Sess 4-5 and Dyor Young Chris link together to flip some work, stay 3 steps ahead of the game and stuff bags with bills on "Money Up"




Right out of the gate, the hook sets the tone for the entire track with it's catchy, repetitive structure. While Sess 4-5 speaks on stacking up dividends and the interior workings within the dope game, Dyor Young Chris goes into gripping details on his strong trap mentality and superior kitchen techniques.

Both rappers however have taken it upon themselves to put there respected blocks on their backs, giving the streets a heavy hustler anthem to serve and bag up to. "Money Up" was produced by BlaqNMild, one of the lead producers pumping out melodic instrumentals for Nuthin But Fire Records, headed by Sess.

Sess 4-5 is a seasoned artist that has garnered high popularity in and around the New Orleans, Louisiana music scene. Next, he has worked with some of NOLA's most prominent rap acts of the nineties such as No Limit alum Mia X, Soulja Slim, Mr. Magic and Fiend. That alone should garner your attention as his music almost always carries remnants of the No Limit and Cash Money era.

With releases like "Money Up", it's already proven that Sess can cook up potent street singles. However, he also offers up a wide variety of material like the R&B vibes of "Breakfast in Bed" that carried features from 6 WAR POOK and Young Sino.

Stream "Money Up" on Spotify and make sure to stay tuned for the official video, coming soon...


On our most fundamental level, all we as human beings want is L-O-V-E. That pure, unconditional love. This is something that pop band, Pale Blue Dot, taps into with their new smash single "Only Love". The song is our desire for love only. Pale Blue Dot has successful created a vibe that encourages one to leave behind your rough day. Get ready for an uptempo, trumpet blaring, foot stomping, head nodding, heartwarming good time! Their latest album "Anatomy" is available now. Go to palebluedotband.com for more information on upcoming projects. 



"Only Love"
[Listen today on SoundCloud] 




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Midwestern word bender Taiyamo Denku and the star seed of Rhymesayers Sa-Roc team together to massacre mics with one sole purpose on the mental, "Murder Intent". Produced by Dcypha, "Murder Intent" is the second single lifted from Cypha Den Music's maxi single titled "Riot Control". Wobbly keys and tight drums are tackled by intensive metaphor handling that will leave veteran lyricist lovers jaws dropped in awe. Denku and Sa-Roc leave the scene covered in yellow tape with rhymes that hit dead-center between the eyes, leaving no doubts that the alphabet is left lined in white tape. Stream the single on Bandcamp and grab a copy of the "Riot Control (Maxi-Single) while you're there.

 




Out the gate, K.Ray proves he is leagues beyond his competition. He consolidates what could have been a brisk, three-song EP, into six minutes of seamless music; and uses the track to introduce an even larger body of work. Aberrant work that borders extra-terrestrial. That is “Life’s a mess”: thirty minutes of unconventional, yet gravitating rap from a Columbus, Georgia creative. On this nine track opus, it feels as though K.Ray is almost making a point of leaning away from Hip-Hop’s present direction. Yes, he raps, but the way he does so; the way he crafts his music is unlike anything you’ve heard thus far. Modern-trap production is dispersed into clouds of melody and liquid-like drums. Introspective rhymes abruptly ascend into autotuned harmonies and sampled chops. The album completely embodies its title. It is a mess that us listeners can’t even begin to clean. Yet, by the end of its runtime; by the end of this mind-opening body of work, you won’t want to, either way.



“Life's A Mess” on Soundcloud


Recent Interview w/ K.Ray
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R&B crooner “JNYR” transitions into 2019 with his new single “Surprises”.  Produced by Yuri Koller,  the Toronto native is direct and clear as his true intentions are non objective to say the least. Expect to see a whole lot from JNYR this year as he is working on his new project until then be sure to stream his most recent EP the “Transition” which is available on all digital streaming platforms. 
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Evil keys, an explosive trap beat, and endless, Georgian flow are all kevystaysnappin needs to serve us a dynamic anthem. For, that is what “Gucci” packs; and by all accounts, it is anthemic. Tailored perfectly for the entire culture of Southern Hip-Hop, “Gucci” is a sharpshooter of a single. Although hectic, with its pulsating 808s and pounding trap snares, kevy’s performance gives the record magnitude and direction. You will easily be magnetized by his almost never-ending bars; which sway through an ATLien inflection, and various, lyrical references to other Southern hotspots. There are even a few moments wherein his adlibs are pitched through a muddy, Texan, chopped-n-skrewed filter; only increasing his homage to the South. Such is why “Gucci” is a track that every state below the Mason-Dixon can embrace. Don’t be surprised if you hear this record banging from the trunk of the car beside you; or lighting up the southerly house party you just walked in. kevystaysnappin definitely has a hit.



“Gucci”


Download // Stream



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Just like that, it is here. After previously blessing us with their spectacular “Flux Capacitor” drop, Houston’s answer to The Wu-Tang Clan and early Pro Era, The Band of The Hawk, have finally released their “Kangol” project. Completely produced by original BOHUP member, Noah Archangel, and mostly upheld by Yeaux Majesty’s idiosyncratic rhymes, “Kangol” is this Texas collective’s 2019 endowment to the world of lo-fi, underground Hip-Hop. A world wherein they are slowly, but surely, becoming kings. The coronation occurs through a bevy of rap-heavy, boom-bap jams. Between sample-driven instrumentals, skits, and the lyrical ventures of featured BOHUP artists, Yeaux Majesty and Noah Archangel string together an impressively cohesive offering. Bangers, such as “Downtown Friday Nights”, “Bedrock”, “‘19 Mentality”, “Golden Child”, and “All U Need” flow seamlessly down this river of Golden Age musicality. If not for the apparent tracklist, “Kangol” could very much be presented as one, elongated piece of music; and that quality alone makes it superior to every other project released alongside it. In the space and history of lyrical, archaic, underground Hip-Hop, this project could very well become a classic. And The Band of The Hawk, the South’s answer to the legendary, old-school rap crews we hardly go a day without giving praise.




“Kangol” 


[Download // Stream]





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This is precisely what we have been waiting for. Since Summer Walker’s fiery onset in 2018, ignited by her chart-topping “Girls Need Love” record; the lot of us have waited with bated breaths for someone to offer a rendition. Their own take on the smoldering smash. Now, we may finally have it; lifted from the lungs of the young, North Carolina crooner, Abryon. With an awe-striking command over melody and harmony, this Southern singer aims to remind us that “Girls Need Love Too”. A sultry music video, and autotune-driven remix, are his main means of doing so. As he passes between various scenes with two particular women, the Tarheel vocalist unhinges a bit more of his amorous soul. He confides in them his desire to be anything and everything they could ask for; ultimately giving us everything we could ask for in a Summer Walker remix: pleas full of passion that’ll feel everlasting. 





“Girls Need Love 2” on Youtube
 




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Despite Ashton Rich’s recent EP, “Sober Enough”, being one of the most thunderous, modern-trap projects of the season, he makes it explicitly clear from the opus’s opener that he does not condone the new wave. “Pretend”, the track in question, is a flagrant dissection of the trendy, stereotypical personas rappers embody today; matchlessly kicking off six-tracks of identically astounding energy. For, Ashton Rich maintains that audacity throughout the entire fifteen minutes that “Sober Enough” runs. Briskly, it is translated into records such as “Problems”, and the ascending anthem “Lemma Know”, which is already soaring with plays. Merging Hip-Hop and R&B alone may be difficult for some. However, on this EP, Ashton Rich makes it an effortless accomplishment. Like a pendulum, he swings between both genres; and as the momentum builds, so does the strength of his records. In many aspects, that is the perfect simile for Ashton Rich, and “Sober Enough” entirely: a pendulum, whose swung has built up enough momentum to be a wrecking ball; ready to smash right through the rap game.





If New Jersey did not have a lyrical prince ready to ascend to their Hip-Hop throne before, they do now. He goes by the name of J-Carter; and with every stroke of his pen this year, the Garden State emcee has proven well-ready for the crown. J-Carter deserves much praise for his grind and indomitable work-ethic on his latest body of work as he gets loaded up to drop 38 new tracks for his new album, “Take Hip-Hop Back”.  The beauty of “Take Hip-Hop Back” is that it perfectly encapsulates two generations; two sounds of the New Jersey lifestyle. On one plane, it embodies the lyrical aggression, depth and bravado of the Redmans, Joe Buddens, and Treachs who built upon the foundation for East Coast Hip-Hop. On the other hand, it warmly embraces the sonics of today: boasting 808s, malicious, synth-based melodies, and jarring trap drums. This puts the nine-track opus on the ideal axis of a 2019 Hip-Hop album. It is, essentially, an onslaught of lyrical bangers; that in J-Carter’s own words, “...the people will have no choice but to hear...”. 



Stream//Download 
“Take Hip-Hop Back” on May 3rd



Daniel Cronson and Kehinde have given us something undeniably magical. Whilst embracing the power of Blues, Hip-Hop, and Jazz that flows through their luminous city of Chicago, they have conjured the mighty “Grand Visions”. The track is three and a half minutes of smooth, summery blues; guided by heartfelt, northside vocals and piercing, southside rhymes. Daniel works much of Grand Visions’s foundation; driving it with a few lovable chords from his guitar, backing keys, ambiance, and a slow-burning drum loop. The essence of John Mayer seems to possess much of his performance, as he glides soulfully across this production with “Continuum”-esque immaculacy. However, as brilliant as this single is with Daniel Cronson alone, it would be imperfect without Kehinde’s breathtaking bars. Lyrically, he reincarnates Daniel’s breakdown of the trials one faces in pursuing their dreams, by giving his own, in-depth take on the topic. What results is a magnetizing, new record for Chicago’s summer. One that will have you ready to fire up the grill out back, as easily as it fires up your soul.

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Twenty years down the line, the conscious blood of Hip-Hop’s Golden Era is still flowing through the veins of our culture. At the heart of it all sits Dutch rapper, Kynn; and his latest contribution, “Jacob” (featuring Bryan Shortell), is keeping it beating stronger than ever. The Leiden, Netherlands resident utterly snaps on this record. Buoyed atop the silky guitars, and hard-hitting, rock ballad drums of his instrumental, Kynn dives into a poignant story of Jacob: a kid going through the cruel, torturous tribulation of bullying in high school. With bars galore, and a soul-touching inflection to match, the European emcee uses his three and a half minutes of runtime to spearhead a sonic campaign against the epidemic. Obviously, it is pathed to succeed; because, not only will a massive amount of awareness be summoned by this single, but the single, in and of itself, is musically outstanding. Bryan Shortell, a New York artist, provided the hook, and in a gust of beautifully sung vocals, totally brings “Jacob” home. Certainly, the Golden Era legends would be proud of Kynn. For, alongside making magnificent music, filled with conscious, heart-shaking rhymes, this Netherland talent is actually standing for something. In the climate of Hip-Hop’s today, wherein myriad rappers are on their hands and knees, that trait alone makes Kynn invaluable. #nomorebullyshit




Watch the recent discussion with Kynn for additional info about new song "Jacob" 



Stream//Download "Jacob" Today
Kfresh, and his Atlanta bounce, will surely jumpstart your summer. Fantastically, he has dropped “She Knows”: a brash trap banger ready to rock the club. Outfitted with slamming 808s, hyper drums, and a serpentine, sitar melody, this Southern single undeniably packs a punch. Kfresh’s performance on the track?: a clean KO. He zips through the instrumental with a breeze of autotune; blending singing and rapping to create a lightning smash. One second, he is a flowing ATLien, cranking out bars and rhymes. The next, he is smoothly melodizing through a chorus, bringing the festive energy to an all time high. Yes, “She Knows” just might be your summer favorite. It has all the makings of a potential anthem; and Kfresh has all the potential of guiding it to the charts. 




“She Knows” on Spotify 


Recent Interview-



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Unknown IN delivers a new-age banger that transcends musical genres. “Ill At Ease” is a feel good pop song exploding with positivity and love similar to "Soak Up the Sun" by Sheryl Crow or even "Good Vibrations" by The Beach Boys. Unknown IN says, "The purpose of the song is to show how the only way to finally be comfortable in a situation is to be uncomfortable at first". “Ill At Ease” serves as the anchor song from Unknown IN's new mixtape, with the same name. 



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Staten Island battle rapper, Paul Marz never ceases to amaze! This time its his vivid new TrunkFace directed visuals for 'Death of a Star'. Walk with Paul as he chooses the rough path but ultimately climbs to the mountain top. Follow his Paul Marz' growing movement and read the press release below.

"Paul Marz sounds sharper than ever in his latest introspective video 'Death of a Star' directed by TrunkFace. The Shaolin emcee raps "Bury my ego than resurrect because it's Death of a Star, Rise of Titan". Over the last few years Paul has taken a backseat to the spotlight spending 1000's of hours building up the battle rap scene with childhood friend Lexx Luthor. 'Death of a Star' is his message to the world confirming he would prefer to shine light on the new generation of emcees. This track solidifies his role as humble giant in the rap game."
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