Showing posts with label banger. Show all posts
Showing posts with label banger. Show all posts


There is time for subliminal flirting, winks, smiles, touching, and body language. This ain't that.. On the verge artist, VAN KING gets straight to it with an absolute smash single "Tell Me". This smooth, melodic and seductive alternative RnB club banger, cuts the chase and straight to the bedroom, as VAN KING wants to hear the words come out of her mouth! Read more about the artist below and stream "Tell Me" today on Spotify.




VAN KING is the stage name of Toronto native Kevin Kozo. Currently based in London, KING is expanding his career as a music producer into the realm of recording artist. His sound is heavily influenced by R&B, but he has established a versatile range. A lifelong love of music propelled KING into producing, writing, and recording a handful of tracks and projects while collaborating with other artists. His upcoming work as a producer includes the EP "My Head Is A Dark Place" by Brazilian artist Ary Franklin, and the debut EP for the Ottawa rapper Affy. Recently, KING stepped out into the spotlight with his debut single "Tell Me." Follow VAN KING on Instagram, or go to his official website for more information.






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“All in my face, ‘cuz they wanna ride my wave!” When first starting up, Zero The Kidd’s “Wave” will mislead you. By its watery, ambient synth and tame, auto-tuned intro, you will be convinced that this single is yet another calm pool of modern-trap majesty. That is until the 808 punches the mix, and you are dragged into the current of a high-energy anthem. It is fitting that Zero’s home is Boynton Beach, Florida; for this track is an inescapable tsunami of sound. Washing freshly across your speakers, from the shores of the Sunshine State, “Wave” commands a radio-ready swagger not easily accomplished. Swimming through kicks, snares and hats, Zero The Kidd makes an impressive splash on the record; unleashing a stream of bars and melodies that will enliven anyone who hears them. So much so, that it is certain “Wave” will add another million plays to the ten million Zero has already acquired. If you are in need of a tidal banger for your upcoming, September playlist, look no further than Zero The Kidd’s amazing latest— “Wave”.


 Recent Interview
"WAVE" on Spotify





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There is always a diamond in the ruff. For Burnsville, Minnesota, the multifaceted collective, On Our Own, is precisely that jewel; and summer 2019 may be their defining, shining moment. At least as far as one of their member’s, OOOAndre, latest release can measure; for, “Switch Up” is a modern-trap gem worthy of an imminent crowning. Although the Midwestern crew are well-versed in both R&B and Hip-Hop, “Switch Up” leans ostensibly on their thunderous, trap potential. It is a quintessential banger of today’s sound; fueled by pummeling 808s, invigorating rhythm, and OOOAndre’s unique, yet befitting flow. Obviously, he is the man OOO can go to for a irresistible hit. The way this Gopher State talent maneuvers through the beat simply exudes effortlessness; making “Switch Up” likely a natural phenomenon for ‘Dre. If that is the case, there are tons of records just as potent as this club-ready anthem, hidden within the On Our Own archives, just waiting to be dropped. The moment they are, following the promised success of “Switch Up”, the diamond will no longer be in the ruff. It will be crowning princes as they become kings of the new-age, Hip-Hop scene.



“Switch Up” on Soundcloud
[Download /// Stream]





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“Will I ball ‘til the last day...” These initial bars surf the wave of a funky, serpentine bassline. Iridescent tines sparkle around a string progression that grows more intense as Miztah Brown raps. The moment these melodies reach their climax, and the Canadian spitter is ready to enter his verse, the beat drops, and “Last Day” is on the move. Fully powered by Miztah’s robotic, auto-tuned vocals, this single grooves from start to end. Contemporary drums, characterized by 808 snares, dribbling kicks, and pattering hi-hats, give the Montreal native rhythmic ground to lyrically run across. In this dash, Miztah Brown rhymes about everything: from haters, to hustling, and loving the life he lives. What he yearns to drive home, most of all, is that none of it will stop until his “Last Day”. For the last three years Miztah Brown has been on an incredible streak, and with the drop of this recent anthem, his stock will only rise higher. By the end of the year, a new star may be lighting up the Canadian sky. 




“Last Day” on Spotify
[Download /// Stream]






Recent Video Interview with Miztah Brown




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Enter a wave of guitar strings, ominous emo lyrics in the background. Then, the 1st boom of the bass hits. On-the-verge hiphop artist, Adas' newage trap banger "Often" is dazzling in every way! The wavy mood of the beat makes a marriage with his smooth melodic vibe and then with the multi-style rap flows that he 'often' switches effortlessly. "Often" is easily a 2019 fan favorite!!! The Chicago newcomer, wants you to know he has taken the time necessary to perfect his craft while recording 50+ bangers and he is prepping to drop an exclusive song every week. Enjoy "Often" today on soundcloud and follow Adas' growing movement today.




"Often"
[Download /// Stream]



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Already pulling in a thousand views on Youtube, JADDA’s “03” is a New York banger awaiting. Albeit, it pulls from the trap sonics of the South, and drill-inspired sensibilities of the UK, it still carries that legendary, lyrical essence of the East Coast. The BKAY-produced record spotlights JADDA as an upcoming magnet for modern, Brooklyn rap. Through the pinging triangles, hellish melodies, and indomitable drums, the Empire State rapper unquestionably shows off. He batters the beat with no consideration for the heat he discharges, resulting in a fiery anthem that every burrow will ultimately embrace. For, “03” is that igniting. Alongside 22Gz, Casanova 2x, Young M.A., and other contemporary reflectors of Brooklyn rap, JADDA is yet another example of New York Hip-Hop’s evolution. Only his is positioned to create a tidal wave about the East Coast, and wash an energy onto the city that has never been felt before. 



Watch “03” today on Youtube
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Evil keys, an explosive trap beat, and endless, Georgian flow are all kevystaysnappin needs to serve us a dynamic anthem. For, that is what “Gucci” packs; and by all accounts, it is anthemic. Tailored perfectly for the entire culture of Southern Hip-Hop, “Gucci” is a sharpshooter of a single. Although hectic, with its pulsating 808s and pounding trap snares, kevy’s performance gives the record magnitude and direction. You will easily be magnetized by his almost never-ending bars; which sway through an ATLien inflection, and various, lyrical references to other Southern hotspots. There are even a few moments wherein his adlibs are pitched through a muddy, Texan, chopped-n-skrewed filter; only increasing his homage to the South. Such is why “Gucci” is a track that every state below the Mason-Dixon can embrace. Don’t be surprised if you hear this record banging from the trunk of the car beside you; or lighting up the southerly house party you just walked in. kevystaysnappin definitely has a hit.



“Gucci”


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“I can’t flex, Yeah I went and spent 100 on a whip!” What starts as a shiny haze of autotuned adlibs quickly becomes a single worth the charts. All due to a Columbus, Georgia rapper’s incredible command of both melody and bars. With “100 On A Whip”, Rico Tracks’s latest, bubbly offering, the Southern artist shows just how ready he is for mainstream success. Across foaming, bright synths, sparkling tines, and speaker-shaking trap percussions, Rico Tracks sing-song raps through a catchy chorus; undoubtedly prepared to seize your local nightclub. However, when that infectious hook is over, the Georgian up-and-comer proves he has even more to offer with two, hardbody verses. In powering through a poised flow and street-hardened delivery, Rico Tracks also ensures that “100 On A Whip” will be played on every block in Columbus. In this current, Hip-Hop climate, Rico Tracks’s latest smash is a model modern-trap release. It can easily be embraced by the industry, as well as the streets; and that versatility always leads to the hits we sing.




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After wowing us all a while back with their Woah Vada release, “Ghosts In The Machine [Remix]”, Texas’s The Band of the Hawk have returned with another stellar contribution. Gearing up for the unleash of their April 20th album, “Kangol”, the Southern collective offer “Flux Capacitor”: three minutes of abstract, boom-bap bars. The Band’s Noah Archangel and Yeaux Majesty trade a slew of idiosyncratic rhymes over a sampled beat produced by Noah himself. Their flawless handling of the microphone gives “Flux Capacitor” a very East Coast, Golden Era sensation; bolting both artists outside the realm of conventional, Southern Hip-Hop. With such a sparkling, soul-stirring instrumental and broth of eccentric, narrative lyrics, one can not help but feel the influence of MF DOOM, and other ancient, underground legends. Only, The Band of the Hawk prove with “Flux Capacitor” that they have the ability to take their art beyond their predecessors. They are creative; unafraid to challenge the modern sphere of The Lonestar sound, and pave a lane uniquely their own. This fearlessness makes The Band of the Hawk a token we should be vying to protect; and “Kangol” a masterpiece we must anticipate. 


“Flux Capacitor” 



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“I got the glow!” Despite the vibrant subject of Tef Kaluminoti’s March offering, it may be the most diabolical single of the Spring. His four-and-a-half minute “The Glow” is aggressive and abysmal; pumping with the unstoppable energy of North Carolina. As the first single to his upcoming EP, “AMEN”, this record makes a jaw-dropping declaration. It maneuvers jolting 808s, a rushing melody, and earth-shattering drums and world-splitting rhymes, all to warn that this Rocky Mount rapper should not be ignored. The only thing subtle about “The Glow” is the eerie buzz of an electric guitar that’ll tantalize your headphones about each verse. Otherwise, this track is insanely audacious; with Tef Kaluminoti, and his Juicy J-esque flow and persona, bringing it dangerously full-circle. Keep your ears open for “AMEN” when it drops. If “The Glow” is any indication, we are in for a sinister surprise.



“The Glow” on Youtube




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The melody of Emjae’s “Recess” plays like a video game. By the end of its three minute run-time, you’ll know exactly why: it’s all about excitement. Between clever, metaphorical bars, and a volcanic delivery, nothing but overwhelming energy exudes from the modern-trap track. It aims to amaze your upcoming house party with mesmerizing, electronic synths, and a vigorous 808 bass. Emjae effortlessly maintains a high throughout the entire mix. Where many would fumble, the New Orleans/Hartford-repping emcee blazes through his verses. This relentless onrush of lyricism and vitality is precisely what makes “Recess” the party-centric banger that it is. Before the month is over, such a hit will have Louisiana and Connecticut warring for claim over the talented Emjae.




“Recess” 
[Download // Stream]






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