Showing posts with label lyrical. Show all posts
Showing posts with label lyrical. Show all posts


If you were unaware of the city of Opelousas’s existence before, P.A.T. will be damned if you are not enlightened by the end of this record. He, alongside iconic emcee, KXNG Crooked, land on “Soul 4 Real” with the intention of leaving a mark. One that puts this phenomenal lyricist, as well as his Louisiana city, undoubtedly on the map. At least, that is the impression you’ll receive listening to P.A.T. rip through verses on the new-age boom-bap track. He is lyrically relentless on “Soul 4 Real”; spitting bars that hold both introspective and conscious weight. KXNG Crooked takes this angle a step further with his own 16, ridiculing emcees who spend more time rapping about their riches than speaking a heartfelt, beneficial message to their fans. When placed over such a futuristic, electronic melody, pulsating 808s, and dusty Golden Era drums, these verses purely convey that Hip-Hop has indeed been resurrected; and it is taking an evolved, sonic form. “Soul 4 Real” is that illuminating. It shows how easily conscious rap and new-age Hip-Hop can fuse to create an anthemic hit any lover of the culture can stand behind. All thanks to the artistic capacity of P.A.T. With little over three minutes, he proves that he is one of Louisiana’s most gilded upcomers; and Opelousas is clearly a goldmine. 



“Soul 4 Real”on iTunes 



 “Consider this a class, a lesson you can’t miss!” Over the rumble of boom-bap drums, and modern-trap melodies, a voice soars stout and strong. It is RHYMAN’s; and, although it hails from Switzerland; its power is poised to shake the world. “Back In Time”, the rapper’s most recent, puristic offering, is exactly how. Nothing but three minutes and thirty seconds of mouth-watering, organic Hip-Hop is proffered on this record. As no true emcee should, RHYMAN wastes not a moment on “Back In Time”. Every pocket of this cinematic, Golden Era beat is filled with exceptional rhymes. Bars which are brought to life by the lyric video that accompanies them. On “Back In Time”, RHYMAN proves how far sheer talent with a microphone will get you. What a massive banger you can create simply through evoking your spirit into every line penned. Yet, you do not have to take our word for it. Press play and, by way of RHYMAN’s robust rhymes, watch the world rattle around you.



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 Christiano Can

"F . A . N . S"


Silky, soulful and smooth. Those three words will be the first and only rebounding through your mind, once play is clicked on Christiano Can’s “F.A.N.S” extended-play. As the rapper’s debut project, “F.A.N.S” seeks to make a grandiose introduction; and it delivers that statement in more eclectic ways than one. First and foremost, the soulful, sophisticated textures of this music make it a awe-striking, pleasant listen from the jump. Golden horns, colorful chords, and a luscious female vocal form a dreamscape out of the intro-track “D.A.F.H.A.H”. Style changes as the tape progresses; with a variety of sounds, rhythms and grooves, erupting from the depths of the mix. Raw, quirky Hip-Hop is at the root of “Oddly Awkward” (Neo-Soul gushing throughout its remix), and pure, undulating Funk bubbling about the final track, “I’m Only Crazy”. Alongside this evidence of Christiano Can’s uniqueness as an artist, there is the overwhelming proof of his competence as a rapper. As the EP surges on, Christiano draws from myriad flows. On the track, “Oddly Awkward”, something Eminem-esque is transpiring; with our genre-rapper having the lyrics to do it justice, as well. He is nonchalant on the remix, smooth on the intro-track, and energetic on the out. As sporadic as “F.A.N.S” is as a body of work, it is immensely impressive and certainly satisfying. All over it is the mark of true musical artistry; and we can do nothing but look forward to Christiano Can’s drops on the 5th of every month this year. Fingers crossed, they’ll be as jaw-dropping as this.



“F . A . N . S”




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